Le donne non sanno guidare, gli uomini sono più bravi in matematica, le donne sanno prendersi cura degli altri. Sono solo alcuni degli stereotipi che riguardano i generi. Ma i cervelli di maschi e femmine sono davvero così diversi?
Il video contiene estratti da:
Locke di Steven Knight (2013, IM Global, Shoebox Films)
Gilmore Girls di Amy Sherman-Palladino (2000-2007, Dorothy Parker Drank Here Productions, Hofflund-Polone & Warner Bros. Television)
Euphoria di Sam Levinson (2019-2026, The Reasonable Bunch, A24 Television, Little Lamb, DreamCrew, ADD Content Agency, HOT, Tedy Productions, Tiny Goat, HBO Entertainment)
Kill Bill: Volume 1 di Quentin Tarantino (2003, A Band Apart, Shaw Brothers Studio, Super Cool ManChu)
Vertigo di Alfred Hitchcock (1958, Alfred J. Hitchcock Productions)
Pretty Woman di Garry Marshall (1990, Touchstone Pictures, Silver Screen Partners IV)
The Tree of Life di Terrence Malick (2011, Cottonwood Pictures, Plan B Entertainment, River Road Entertainment)
Dance Flick di Damien Dante Wayans (2009, Wayans Bros. Entertainment, MTV Films, MTV, Paramount Pictures)
Barbie di Greta Gerwig (2023, Mattel, LuckyChap Entertainment, Mattel Studios, Heyday Films, NB/GG Pictures, Warner Bros.)
The Heart Is Deceitful Above All Things di Asia Argento (2004, Gianluca Curti)
Billy Elliot di Stephen Daldry (2000, StudioCanal, Working Title Films, BBC Films, Arts Council England, A Tiger Aspect Pictures Production, WT²)
Inside Out di Pete Docter (2015, Pixar Animation Studios, Walt Disney Pictures)
The Little Rascals di Penelope Spheeris (1994, Universal Pictures, Amblin Entertainment, KingWorld Filmed Entertainment)
Family Guy di Seth MacFarlane (1999 – in corso, Fuzzy Door Productions, 20th Television, 20th Television Animation)
Tomboy di Céline Sciamma (2011, Hold Up Films)
Boyhood di Richard Linklater (2014, IFC Productions, Detour Filmproduction, Cinetic Media)
The English Patient di Anthony Minghella (1996, Tiger Moth Productions)
Gifted di Marc Webb (2017, Fox Searchlight Pictures, TSG Entertainment, FilmNation Entertainment, Grade A Entertainment, DayDay Films)
Matilda di Danny DeVito (1996, TriStar Pictures, Jersey Films)
Little Miss Sunshine di Valerie Faris, Jonathan Dayton (2006, Fox Searchlight Pictures, Big Beach Films, Third Gear Productions LLC, Deep River Productions, Bona Fide Productions)
The Zone Of Interest di Jonathan Glazer (2023, A24, JW Films, Extreme Emotions, Film4, Access Entertainment)
Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles di Chantal Akerman (1975, Paradise Films, Unité Trois)
The Queen’s Gambit di Scott Frank, Allan Scott (2020, Flitcraft Ltd, Wonderful Films)
Mean Girls di Mark Waters (2004, Paramount Pictures, Lorne Michaels Productions)
The Social Network di David Fincher (2010, Columbia Pictures, Relativity Media, Michael De Luca Productions, Scott Rudin Productions, Trigger Street Productions)
L’amica geniale di Saverio Costanzo (2018 – 2024, Wildside, Fandango, Umedia, Rai Fiction, HBO, TIMvision, The Apartment, Mowe, Fremantle)
Sin City di Robert Rodriguez e Frank Miller (2005, Dimension Films, Troublemaker Studios)
American Psycho di Mary Harron (2000, Lionsgate Films, Edward R. Pressman Productions, Muse Productions)
Promising Young Woman di Emerald Fennell (2020, LuckyChap Entertainment)
