Siamo abituati a pensare la famiglia come un organismo stabile e fisso nel tempo. Eppure tra conflitti tra generazioni, riposizionamento dei ruoli, e nuove forme di genitorialità, è sempre più difficile darne una definizione univoca.
Il video contiene estratti da:
The Simpsons di Matt Groening (1989 – in corso, 20th Century Fox Television)
Eighth Grade di Bo Burnham (2018, A24, IAC Films, Scott Rudin Productions)
Juno di Jason Reitman (2007, Fox Searchlight Pictures, Mandate Pictures, Mr. Mudd)
The Farewell di Lulu Wang (2019, Big Beach, Depth of Field, Kindred Spirit)
Room di Lenny Abrahamson (2015, FilmNation Entertainment, Telefilm Canada, Film4, Irish Film Board, Ontario Media Development Corporation, Element Pictures, No Trace Camping, Duperele Films)
We Need to Talk About Kevin di Lynne Ramsay (2011, BBC Films, UK Film Council)
Mary Queen of Scots di Josie Rourke (2018, Focus Features, Perfect World Pictures, Working Title Films)
The Road di John Hillcoat (2009, Dimension Films, 2929 Productions, Road Rebel, Chockstone Pictures, Nick Wechsler Productions)
Manhattan di Woody Allen (1979, United Artists, Jack Rollins & Charles H. Joffe Productions)
Pride di Matthew Warchus (2014, Pathé, BBC Films, Ingenious Media, British Film Institute, Calamity Films, Canal+, Ciné+)
La La Land di Damien Chazelle (2016, Summit Entertainment, Black Label Media, Gilbert Films, Impostor Pictures, Marc Platt Productions)
Annie Hall di Woody Allen (1977, United Artists, Rollins-Joffe Productions)
Lion di Garth Davis (2016, The Weinstein Company, Screen Australia, See-Saw Films, Aquarius Films, Sunstar Entertainment)
La famiglia di Ettore Scola (1987, Massfilm S.r.l. – Cinecittà S.p.A., Rai Uno, Les Films Ariane – Cinemax)
Monsoon Wedding di Mira Nair (2001, Mirabai Films in associazione con Key Films, Pandora Films, Paradis Films)
Parasite di Bong Joon-ho (2019, CJ Entertainment, Barunson E&A)
Loving di Jeff Nichols (2016, Focus Features, Big Beach, Raindog Films, Augusta Films, Tri-State Pictures)
Guess Who’s Coming to Dinner di Stanley Kramer (1967, Columbia Pictures Corporation)
Revolutionary Road di Sam Mendes (2008, DreamWorks Pictures, Paramount Vantage, BBC Films, Neal Street Productions, Evamere Entertainment)
The Squid and the Whale di Noah Baumbach (2005, Samuel Goldwyn Films, Original Media, Ambush Entertainment, American Empirical Pictures, Peter Newman Productions, Andrew Lauren Productions)
The Roses di Jay Roach (2025, SunnyMarch, South of the River Pictures)
Step Brothers di Adam McKay (2008, Apatow Productions, Sony Pictures, TriStar Pictures, Columbia Pictures)
Something’s Gotta Give di Nancy Meyers (2003, Columbia Pictures, Warner Bros. Pictures, Waverly Films)
Amour di Michael Haneke (2012, Les Films du Losange, X-Filme Creative Pool, Wega Film, ARD Degeto Film, Westdeutscher Rundfunk, Bayerischer Rundfunk)
The Leisure Seeker di Paolo Virzì (2017, Indiana Production, Rai Cinema)
Tutti i santi giorni di Paolo Virzì (2012, Motorino Amaranto, Rai Cinema)
The Worst Person In The World di Joachim Trier (2021, Oslo Pictures, MK Productions, Film i Väst, Snowglobe, B-Reel Films)
The Lord of the Rings: The Return of the King di Peter Jackson (2003, WingNut Films, New Line Cinema)
Star Wars: Episode II – Attack of the Clones di George Lucas (2002, Lucasfilm Ltd.)
Game of Thrones di David Benioff, D. B. Weiss (2011 – 2019, Television 360, Grok! Television, Generator Entertainment, Startling Television, Bighead Littlehead)
Shoplifters di Hirokazu Kore-eda (2018, Fuji TV, AOI Pro, Inc., Bunkuku)
Roma di Alfonso Cuarón (2018, Espectáculos Fílmicos, El Coyúl, Pimienta Films, Esperanto Filmoj, Participant Media)
Timbuktu di Abderrahmane Sissako (2014, Sylvie Pialat)
Un beau matin di Mia Hansen-Løve (2022, Les Films Pelleas, Razor Film Produktion, Arte France Cinéma)
Modern Family di Christopher Lloyd, Steven Levitan (2009 – 2020, Lloyd-Levitan Productions, 20th Century Fox Television)
The Addams Family di David Levy (1964 – 1966, Filmways Television, MGM Television)
Juste la fin du monde di Xavier Dolan (2016, Sons of Manual; MK2 Productions; Téléfilm Canada)
Cheaper by the Dozen di Shawn Levy (2003, 20th Century Fox, Robert Simonds Productions)
Eraserhead di David Lynch (1977, American Film Institute)
Parenti serpenti di Mario Monicelli (1992, Clemi Cinematografica)
The Royal Tenenbaums di Wes Anderson (2001, Touchstone Pictures, American Empirical Pictures)
Happy End di Michael Haneke (2017, ARTE France Cinéma, France 3 Cinéma, Les Films du Losange, Wega Film, X-Filme Creative Pool)
Lost di Jeffrey Lieber, J. J. Abrams, Damon Lindelof (2004 – 2010, Grass Skirt Productions, Bad Robot, ABC Studios)
Kirikou et la Sorcière di Michel Ocelot (1998, Les Armateurs, Odec Kid Cartoons, Monipoly Productions, Trans Europe Film, Studio O, France 3 Cinéma, RTBF, Canal+)
Lilo & Stitch di Chris Sanders, Dean DeBlois (2002, Walt Disney Pictures, Walt Disney Feature Animation)
Brothers di Jim Sheridan (2009, Lionsgate, Relativity Media, Sighvatsson Films, Michael De Luca Productions)
7th Heaven di Brenda Hampton (1996 – 2006, Spelling Television, CBS Paramount Television)
Fleabag di Phoebe Waller-Bridge (2016 – 2019, Two Brothers Pictures)
The Sopranos di David Chase (1999-2007, Chase Films, Brad Grey Television, HBO Original Programming)
Scenes from a Marriage di Hagai Levi (2021, Sheleg, Media Res, Fifth Season, Filmlance)
Se Dio vuole di Edoardo Falcone (2015, Wildside, Rai Cinema)
Past Lives di Celine Song (2023, CJ ENM, Killer Films,2AM, A24)
Malcolm in the Middle di Linwood Boomer (2000 – 2006, RIVR Media, Monarchy Enterprises B.V., Satin City Productions, Regency Television, Fox Television Network & 20th Century Fox Television)
The Tree of Life di Terrence Malick (2011, Cottonwood Pictures, Plan B Entertainment, River Road Entertainment)
Uncle Buck di John Hughes (1989, Hughes Entertainment, Universal Pictures)
Willy Wonka & the Chocolate Factory di Mel Stuart (1971, Paramount Pictures)
Pinocchio di Walt Disney (1940, Walt Disney Productions)
Sorry We Missed You di Ken Loach (2019, Sixteen Films, Why Not Productions, Wild Bunch, BFI, BBC Films, Les Films du Fleuve, France 2 Cinéma)
Uccellacci e uccellini di Pier Paolo Pasolini (1966, Arco Film)
Harold and Maude di Hal Ashby (1971, Paramount Pictures)
La prima cosa bella di Paolo Virzì (2010, Medusa Film, Motorino Amaranto, Indiana Production)
Captain Fantastic di Matt Ross (2016, Bleecker Street, Electric City Entertainment, ShivHans Pictures)
Lady Bird di Greta Gerwig (2017, A24, IAC Films, Scott Rudin Productions, Management 360)
Ovosodo di Paolo Virzì (1997, Rita Rusić, Vittorio Cecchi Gori)
Aftersun di Charlotte Wells (2022, BBC Films, British Film Institute, Screen Scotland, Pastel Productions, Unified Theory, Tango Entertainment)
Junior di Ivan Reitman (1994, Universal Pictures)
About A Boy di Chris Weitz, Paul Weitz (2002, Universal Pictures, Studio Canal, TriBeCa Productions, Working Title)
Call Me by Your Name di Luca Guadagnino (2017, Frenesy Film, La Cinéfacture, RT Features, Water’s End Productions)
Aprile di Nanni Moretti (1998, Sacher Film, BAC Films)
The Kids Are All Right di Lisa Cholodenko (2010, Gilbert Films, Mandalay Vision, Antidote Films)
Kramer vs. Kramer di Robert Benton (1979, Columbia Pictures, Stanley Jaffe Production)
Les Amants réguliers di Philippe Garrel (2005, Maïa Films, Arte France Cinéma)
